Too Many Notes
Created by phillip andrew bennett low
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Show Description
Genre and Content
Content Warnings
Learn How To Fringe
Seat Reservations and Show Tickets
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Reviews for: Too Many Notes
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Video Trailer
Cast and Crew
Charlie Bethel
Sir Gawain (voice-over - Camelot Is Crumbling)
Elizabeth Byrd
Artistic Associate (voice-over - The Concept of Anxiety)
Tom Cassidy
illustrator (slideshow - On the Concept of Irony)
Kay Kirscht
illustrator (slideshow - Get Thee Behind Me Santa)
phillip andrew bennett low
writer/performer
J Roth
composer (The Gray and the Gold)
More Information
"My dear fellow, there are in fact only so many notes the ear can hear in the course of an evening. I think I'm right in saying that, aren't I, Court Composer...? My dear young man, don't take it too hard...there are simply too many notes, that's all. Cut a few and it will be perfect."
- Emperor Joseph II, Amadeus
Friday, August 4th at 10pm
Get Thee Behind Me, Santa: An Inexcusably Filthy Children's Time-Travel Farce for Adults Only
(comic fantasy) It’s December 21st, 2012, and something’s gone terribly wrong with the timeline. Now it’s up to Saint Nicholas, a soft-boiled detective, and an unknown carpenter’s son named Jesus of Nazareth to set things right in this giddily blasphemous collection of literary parodies!
"This show is absurd, funny, silly, and chock full of Bible references that make even those who got straight A's in Catechism class have to be impressed. [phillip] is an immensely capable performer, slipping in and out of various characters with the ease of a professional angler making a cast."
Sunday, August 6th at 5:30pm
The Concept of Anxiety
(short sci-fi) Death and the deathless. Dragon shadows. Medicinal dreams and time machines. Your biological clock is ticking, and it's time to get metaphysical in this verbose cabaret of macabre geekery. Fondly dedicated to everyone who is dying. Especially you.
"...his presence on stage, his careful pacing and his masterful storytelling combine for an interesting show...topics include God, suicide, Einstein, doctors, power, pop culture and The Meaning of Life."
Tuesday, August 8th at 8:30pm
The Gray and the Gold
(dark fantasy) A gray-man, skin dirt-gray, sets out into the desert to find a golden maiden, stopping for long palavers with a pale man along his way. Tale of some colorful folk, say I, with tongues of gold, whatever their skins may be.
"...an engaging but dark tale of a wandering man on a quest full of talking wolves, cryptic cannibals, unexpected zombies, and bad dreams; first rate experimentation..."
Saturday, August 12th at 1pm
On the Concept of Irony (with No Reference to Socrates)
(comic horror) What happens when human folly runs face-first into apocalypse? Stolen placentas, political genies, sad puppies, Elder Gods, cryogenically frozen comedians...welcome to this year's grotesque anthology of comic horror, with no mention whatsoever of a certain ancient Greek philosopher.
"...one of his strongest offerings to date...delivered by a master storyteller with great dexterity and timing...in a period in our history when words have become debased, devalued, and demonized, here is an artist who values [them]..."
Sunday, August 13th at 7pm
Camelot Is Crumbling: An Arthurian Nightmare
(medieval romance) The murderous son of King Arthur recounts his history with the court to his dying father, while Arthur's greatest knight traverses a post-war landscape to find his queen. Both reflect on how their actions brought about the death of the dream in this brooding one-man tale of light and darkness.
"low's greatest achievement with this show, in which he alternates between the characters of Lancelot and Mordred, is the creation of a dank, mossy mood. By the end of the show, you may be surprised to put your hand on the theater wall and not feel cold stone and dead vines. low's intense monologues, playing tricks with time and place, are thick with layers of meaning; this is a show that would reward multiple viewings."
For more information on past and future Maximum Verbosity productions, check out our website!
Many of the stories I perform are collected in my books, available from Amazon.com.