Seat Reservations and Show Tickets
Scroll right to buy
Reviews
Reviews for: Scab for Hire
Disjointed
Very disjointed. There are basically 3 distinct sections that don't hold together very well. The first part was kind of silent movie comedy pastiche but very slow, which didn't get the show off to a good start at all. Second part with the podcasters was better, if rather cliche. Third part, with the video element, was the best, but at that point I was already kind of out of the show. Unfortunate :/
A fun idea, just needs a little more work
This show is actually two shows in one - the fist part, clearly inspired by old silent movies to depict the experience of the titular scab, the second a brief drama of a pair of podcasters discussing said scab. I like the first part better, being a fan of silent films, but the performers could benefit from a bit more guidance on clowning to really make those scenes pop. The second part was a miss for me - it has good bones, just not my preference. The film finale, though, brought it back around to the silent film inspiration and left it on a positive note. Overall an interesting core, but the execution needs a little massaging to make it hit.
Funny, Physical and Incredibly Relevant
Thoroughly enjoyed this! The physical comedy was a great tribute to the silent clowning of yesteryear and had me laughing throughout. My favorite part was the contrast between the two podcasters, one genuinely focused on substance while the other was clearly about style and clicks. A clever and very relevant commentary on media today.
The pizza party premise also nailed the absurdity of being expected to work as hard as possible while not making a living wage. Funny, physical, thoughtful and relevant. Most definitely worth seeing!
Falls Short
Kind of hard to tell what this was trying to be. It is it a silent film? No, here comes some dialogue. Extended podcast scene went nowhere. More time could have been spent developing the relationship between the Scab and the Opossum. And it was not at all clear that it was an opossum. Highlight was the old-timey film segment. Actor skills were not equal to the tasks at hand. 'A' for effort.
Tonally confused
Started off strong! The silent movie elements were done very well, and I wish it had maintained that energy throughout the show. The inciting conflict is so sudden and brief it had me confused, and the aftermath feels painfully dry and drawn-out. Ended on a nice note, but I can't help but think of the middle section of the play as filler for an otherwise interesting and well-executed show
The Man Always Trying to Bring Us Down
This script is timely and timeless - unfortunately. The production is a reminder that corporate America has no interest in the beauty of friendship or the fragility of mental health be it in modern times or the 1920-30s. Add in a little pizza, some black and white film, an all-too familiar old time song, and a marsupial and you have the makings of a show that makes you smile, ache, and reconsider consumer choices all in 50 minutes.
What would you do?
Would you kill your friend for a paycheck? Even if it was "just an opposum?" This show tells how our modern work environment has degraded our morals. I love the "pizza party" as motivation for work. Throwing tiny perks at employees does not substitute for a quality work environment. Think: What are you being offered for your tiny perk at your job?
This show does struggle to fill a large stage with just two actors and no crew. I'd like to see more Chapman and more development of the bond between the two.
There's a Great Idea and a Good Production Hidden
This show is at least three shows in one - and none of them hit a home run except the delightful finishing silent movie bit. The first part, inspired by old silent movies to depict the experience of the titular scab was strong, even if the whole marsupial is your friend idea was weird. But instead of 50 minutes of silent pantomime, the 1930s era was "ruined" by a section with voice-overs and the downright harshness of the employer and the scab's reaction, too. The third, modern section with a pair of self-interested podcasters discussing the scab was rather ugly and showed the 2020 Americans for the shallow, unlearned adults that so many today are. Overall it sounded more interesting than it executed. I will say that the podcasters' choice to discuss a moment of history that was too open to widely-varying speculations, due to a total lack of information is very mindful of those who want to tell us very-biased and un-nuanced historical interpretations all the while lacking the full story of what happened 'back then'. Think of the final hours at the Alamo, or the final day of Amelia Earhart's flight around the world. Or, perhaps what it actually was that the Congress and Senate meant with the 14th Amendment.
Entertaining, interesting, some tonal awkwardness.
The show was trying to make a serious point about scabs and the social phenomenon which cause them. Yet, the slapstick & absurdity felt like it went into too much comical ness for me. Now, to be clear, I say this as someone who believes I have done exactly the same in my drawing out of a character I acted in, in a play. I played 3 different villain type characters in a theater play ("Muyehpen") and during different specific performances, in hindsight, I made these (actually seriously horrible) villains perhaps too comical. The reason for this concern came from how I recalled the audience laughing at parts of the story which maybe "shouldn't" have been appropriate to laugh during (FTR, I get that some people laugh during socially inappropriate times for a wide range of reasons). Maybe that's my own insecurity talking, to be clear. But back to "Scab for Hire": I felt like the tonal awkwardness took away from the message. And making friends with a mouse, while interesting in multiple ways, also could have been fleshed out more.
Meanwhile, the after the fact podcast part: it had potential. I do like the range of the actors to do something completely different and embody completely different characters. I also liked its commentary of the sophistry that exists in the podcast & video essay space, cuz that is a frustration of mine, too. The pacing did feel a tad slow though.
Overall, I still enjoyed this show. I think it has potential, with improvements.
Cast and Crew
Wesley Tilford
Playwright, Producer, Performer: The Scab/Tyler Bloom
Wesley Tilford (he/him) is an actor and writer based in the Twin Cities. He is the co-founder and co-artistic director of Budding Heads with his fiancé Mia Martinez. Wesley got his bachelor’s degree in theatre from Illinois State University in 2016. His recent credits include Miss Julie (Jean) and last year’s performance of Scab for Hire that served as Budding Heads’s inaugural production. He’d like to dedicate this performance to his three cats; Frank, Floyd, and Hermes!
Mia Martinez
Producer, Performer: The Opossum/Liliana Garza
Mia Martinez (she/her) is a performer/choreographer and all-around-theatre-maker based in Minneapolis. A true Minnesotan lake gal, Mia's originally from Detroit Lakes, MN, graduated from the University of Minnesota - Duluth in 2021 with a BA in Theatre and a minor in Applied Dance (& a BAS in Psychology, if you’re the curious type), and co-founded Budding Heads in 2025 with her fiancé, Wesley Tilford. Mia is especially drawn to musical theatre, new works, and pieces that advocate for a greater cause. In her very rare free time, Mia can be found practicing yoga, nose deep in a good book, or showering her cats — Hermes, Frank, & Floyd — with her love and devotion.
More Information
ABOUT THE PLAY
The Scab & The Opossum
Scab for Hire begins with a man in the 1930's who accidentally crosses a picket-line and starts working alone in a corrugated box factory. From then on, he is known simply as 'the Scab'. The only thing keeping the Scab company is the voice of his boss who occasionally offers him a pizza party if he completes his work on time. That is, until, he befriends an opossum who is living in the factory. They dance together, eat pizza, and tell each other bedtime stories. It seems too good to be true! That's because it is... Once the boss learns of the opossums activities in the factory, he forces the Scab to make a decision. Does he adhere to the boss's demands and get rid of the 'contaminent' or does he save his friend's life?
Liliana Garza & Tyler Bloom
The second part of the play takes place 90 years later, in the year 2026. Liliana Garza is host of a podcast with a modest following called The History Files. She explores important subjects in American history that may have been forgotten to time. In this live podcast episode, she is joined by right wing political influencer and podcaster, Tyler Bloom, to discuss the significance of the Scab's story on American history. Each have wildly different views on the topic which leads to a heated discussion on-stage and off. While they have such different opinions on the Scab and his place in history, both of them are missing a key element of the story that prevents each of them from truly understanding the Scab's motivations.
PRODUCERS' NOTE
Particularly inspired by Charlie Chaplin's Modern Times (1936), Scab for Hire is a love letter to silent comedies of the 1920's and 30's, paying homage to the works of Chaplin, Buster Keaton, and Harold Lloyd - all of whom were studied endlessly by Wesley as he wrote this play. And yet Scab for Hire is also an homage to the working class; to those throughout history who've been forced to choose between themself and their paycheck. Inhumane working conditions, corporate greed, and harmful institutional hierarchies are as relevant now as they were in 1936 (the year our Scab crosses the factory picket-line). Silent comedy is merely a starting point for this play. While writing, Wes would continually ask himself "When have these characters had enough? When is silence no longer an option?"
Scab for Hire is dedicated to all the little guys out there who refuse to fall silent in the face of injustice and to those who, though perhaps lost to time, have always fought the peoples' fight.
- Wes & Mia
Press
FRINGE FILE #10: INTERVIEW - Wesley Tilford on Being a Scab for Hire - Twin Cities Arts Reader