Sub-Total
2023 Audience Reviews
Check out some of the most prolific reviewers:
Corrie Fiedler (42) Christopher Stenzel (42) Maria Ghassemlou (36) Luke Harbur (36) Nicole Mellas (32) milli manchester (29) Jeanette Chalgren (29) Marie Cooney (27) Richard Shields (24) Michael Shaeffer (20)
Click on any column heading to sort reviews by Number, Rating, or Title.
Total Reviews | Average Rating | Show Title |
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"Name": "101 Goofin' Things - Amanda Helling",
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"ReviewRating": "5",
"ReviewTitle": "Great Goofin Fun",
"ReviewText": "101 Goofin Things is a delight. With some scripted parts and some improv, you may find yourself playing a game of \"scripted or not?\" The 101 tasks are anything from simple to absurd to crowd-participation-heavy. Play along with Bingo as the Mastermind ticks off tasks in their ultimate revenge plan. The show is different every night: will you see serious contemplation of what theater is mingled into the goofiness, enthusiastic kids encouraging the Mastermind's evil plans, or both? ",
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"Name": "101 Goofin' Things - Christopher Stenzel",
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"ReviewRating": "3.5",
"ReviewTitle": "Not My Cup of Tea",
"ReviewText": "One of the Fringier shows I've seen this year, it succeeds is doing what it says it will be doing--performers dance to the whims of bingo balls drawn at random and are tasked with absurd action or are hampered in some way for the remainder of the show. That would be fine and could be fun, but the \"punishing taskmaster\" conceit sucked the wind out of my good mood's sails and the performer was often hard to understand to boot.\r\n\r\nI enjoyed the show less than my score suggests, but that's my own fault for being unable to embrace the spirit/intent of this show. While it wasn't my cup of tea, it may be yours.",
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"ReviewRating": "5",
"ReviewTitle": "Hilarious Improv",
"ReviewText": "I loved this show man. The ad libbing/improv is the best part, and the character of the game master was very excellent and entertaining. Since the show doesn't \"wrap up\" in one night I would want to go again to see what else happens (it's not a plot heavy show but task wise yes). They of course don't force crowd participation but I think the more you're willing to be involved and interact the more fun it will be for the actors and audience. I laughed a lot which is saying something; think a combo of task master and minute to win it. ",
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"ReviewRating": "4",
"ReviewTitle": "Fun Interaction",
"ReviewText": "Fun show. Good for Fringe.",
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"ReviewRating": "4",
"ReviewTitle": "They Won't Do Every Thing... And That's Ok",
"ReviewText": "Going in, I expected them to get through all 101 things before time ran out and I started to get anxiety about them finishing on time. Knowing that that won't happen and it's not designed to happen I think would have eased my mind, but I still had fun. It was silly and funny and messy and the audience all had a good time playing along! ",
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"ReviewRating": "5",
"ReviewTitle": "The epitome of Fringe ",
"ReviewText": "Goof Goof is absurd and experimental and silly and fun, I laughed a lot and got my portrait painted! ",
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"ReviewRating": "5",
"ReviewTitle": "Egg-xactly what I was looking for",
"ReviewText": "These goofs have goofed me before at Fringe and I knew walking in there was a very good chance of being goofed again. Luckily my intuition was right. I was laughing so hard I was in tears within minutes of the start of the show with the first dance break task. This show was packed with hilarity and goofin tasks that were a joy to watch. The interactions between the goofs and the very funny mastermind were awesome and as someone who normally fears the words “audience participation” I really loved the way Goof Goof involved their audience — it just works. Their energy is contagious and everyone enjoyed themselves. This show is spontaneous and creative and ridiculously funny and while you might leave with a prize, you will definitely leave with a huge smile.",
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"ReviewerName": "Kate Brown",
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"ReviewRating": "5",
"ReviewTitle": "An absolute delight!",
"ReviewText": "I search and hope to find Fringe shows like this: unique, silly, entertaining, and expertly done. This show was such a delight! Liv and Phil go all in, sometimes bringing the audience along for the ride (a few bouts of optional audience participation were some of my favorite moments). The lottery of random tasks was full of surprises - watercolor, a game of telephone, salsa, and as some have said: EGGS! I left wanting MORE! What else was in that book?! This is a great show if you are Fringing with kids (see their suggested age range)!",
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"ReviewRating": "3",
"ReviewTitle": "Oi, Poor Phil",
"ReviewText": "A vast amount of the tasks were in Liv's favor with Phil left to take the brunt of the punishment. Poor fella. At any rate, it was great fun and laughs all-around.",
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"ReviewRating": "4.5",
"ReviewTitle": "This IS Fringe!",
"ReviewText": "I was expecting stupid and absurd and what I got was even stupider and more absurd than I imagine. I love seeing shows like this because they embrace the weirdness Fringe should be all about. Also, let's all please tell Phillip he is a good person. ",
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"ReviewRating": "5",
"ReviewTitle": "Delightfully Fringey! ",
"ReviewText": "I had a great time at this show. The performances were strong and funny, and never let up or got stale. The tasks were all clever enough, but I feel the real magic in this show is how it might arguably be viewed as a metaphor for the Fringe Festival as a whole. And seeing a show at the TRP is always a treat. Definitely worth fitting into your schedule! ",
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"ReviewRating": "5",
"ReviewTitle": "Just a Goof!!!",
"ReviewText": "These Goofs are Goof-tastic!! \r\n\r\nEverything about this show is so incredibly fun!! The randomness. The props. The activities. The dance breaks. The interactive Bingo Game. The special guest who seems to have a long-seated vendetta against the two goofs. The Whipped Cream. The race car roombas. the EGGS!\r\n\r\nSEE! THIS! SHOW! It is so fun and so outrageous!! It is very Fringe! \r\n\r\nPhil and Liv are NOT TO BE MISSED!!",
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"ReviewText": "\"5 Prisoners\" isn't the type of show I would normally seek out at Fringe, but with people I know in the cast, I wanted to give it a go, and I'm glad I did. Each of the 5 scenes gives the audience something to think about and explores the idea of being a prisoner, both in the traditional sense and in more metaphorical scenarios. Each has something important to say, but some land better than others. My TLDR: Good. Weird. But like, good weird. Worth a watch!",
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"ReviewTitle": "A poor script with mostly subpar acting",
"ReviewText": "This is from seeing show #2. In one sentence: one of five Fringers holds down the fort of this marginal prose collection of what prison could look or feel like. In three sentences: The first of five vignettes set my heart ablaze, hooking my interest on how a prison could be seen in a physical or metaphorical medium. Then that hopeful candle dimmed and dimmed and dimmed, with an attempted \"Twilight Zone\" sci-fi writing style that might translate well to screen but frequently felt disjointed and awkward on stage. I am not sure who this show is truly meant for in its entirety, so I am not sure what kind of person I recommend this show to.",
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"ReviewTitle": "some compelling social commentary",
"ReviewText": "saw this one because I had seen previous shows that Duck Washington is in. five vignettes, and some compelling social commentary. what worked for me the most was the final one, the debate about rehab and justice. the alien in the green costume also made it memorable. along with being caught off guard with the one where the medical pro scolds the blood donor. what didn't was the one where people were bound and gagged in chairs, while somebody shoots them. I was lost as to why it was part of the show. also seemed wrong to have one scene end with 'breaking the fourth wall' saying 'enjoy the rest of the show' as this wasn't a comedy. that being said, there still was enough of what I saw that I liked. ",
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"ReviewTitle": "The Shorts Fringe Needs",
"ReviewText": "I love short and pointed plays, and this themed compilation is excellent. Well-known, talented, and beloved local writers and actors give you 5 takes on Prisonerhood. Not all of the pieces may speak to you, but there are some great commentaries in the mix. I would love a Fringe that was more short-friendly. Until then, I hope Ghoulish, et al continue to produce themed compilations of stories like this because not every idea needs 55 minutes.",
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"ReviewTitle": "Very well performed ",
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"ReviewText": "Honestly I had absolutely no idea what to expect, I just knew I would enjoy what I was going to experience. And boy did I! Besides the incredible and artistic beauty of these performers stage presence and love for the audience, I experienced a full range of emotions I honestly wasn’t prepared to feel. This show creates a feel of confidence that I have not felt in quite sometime, and I was only in the audience! See this show, support these performers, and bring this dollar bills ya’ll!",
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"ReviewTitle": "Come for the Beauty, Stay for the Empowerment.",
"ReviewText": "I expected to see 13 +, plus size goddesses onstage. What I got was so much more! First of all, the devised theater experience of a shared narrative was very entertaining. The message that burlesque welcomes all bodies (even YOU) and empowers the dancers was not lost on me. We were also told a little about the rich history of Burlesque that dates back further than you think and was a vibrant part of the Twin Cities. All the delightful performers are local so make sure to check them out around town! This show will be your first tastes. Don't make it your last!",
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"ReviewTitle": "An Absurdly Impressive and Stunning Fringe Debut!!",
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"ReviewText": "As others have stated before me, the acting was good, Carson is compelling, but I would not say that I was at all moved by this show. In fact, the \"advertisement\" shown on the big screen before Rachel came on stage was far more moving and compelling, causing most of us in the audience to gasp and shake our heads in disgust. But the portrayal of Rachel Carson caused nothing like that that I could tell. I think that Katie Knutson is a good storyteller, but either she needed to breathe more personality into Ms. Carson, or Ms. Carson did not exude much personality. I did enjoy the Q and A at the end, particularly when Ms. Knutson discussed her own journey in learning about Rachel Carson. I am in my 60's and read Silent Spring in high school in the 70's and don't recall a time when I wasn't aware of Rachel Carson and her significance, so I found it interesting that Ms. Knutson and audience members did not know of her at all until recently. I, and my cohorts (I grew up on the east coast) still wonder at all of the bald eagles we see now and take delight in each one that flies by because when I was a child, eagles were almost wiped out by DDT and we never saw them. We credited Rachel Carson with helping to save the eagles.",
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"ReviewText": "Well I could not allow myself to miss seeing a good environmental show in Augsburg Studio… \r\n\r\nThe story of what led up to Silent Spring is an important story to be remembered. \r\nAs someone who works with environmental activists of many stripes, the recurring themes of having an idea rejected because it is “too controversial”, or risking the wrath of the reactionary industrial dinosaurs is all too real. \r\nAmidst the familiar chorus of voices calling for “pragmatism”, there is the light of conscience that know when everything dear is being threatened, staying silent is a sin- that is what the show illustrates. \r\nHaving worked in an environment where my manager would put on an astronaut looking space suit to spray pesticides way after hours when no one else was around... and then coming down with a treatable form of cancer- it hits personal for me and others. \r\nThe most magical part about the show was when the actress impersonated Rachael Carson at the end. It was like she was there today being interviewed right there (though in a time warp to 1962). That takes real talent.\r\nOne thing to add is that much is still relevant today right here in the city. I participated in a mini protest about some illegal use of pesticides in Minneapolis parks. Having gotten the signatures to bring a resolution on this to the floor of a political convention, I have seen the debate between those who say we need some limited pesticide use for special cases and giving natural organic alternative landscape treatments a chance and who has swayed members of the Park Board on this. \r\n",
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"ReviewText": "I will never see or smell earthworms again without thinking about this important story about a woman ahead of her times and unfortunately ignored too often. Earthworms pop out everywhere as do the long term effects of DDT. As a person who sustained Traumatic Brain Injuries and now suffers from sensory overload, the pre-show film about how DDT was blatantly used in many forms without care really affect me. I am also grateful the Katie suggest a storm with minimal lighting effects, which made coming to this show possible for people with various neurological disabilities and sensitivities. I am familiar with Katie as a storyteller of shorter works. It was a delight to see a full show of hers. I am delighted she got a last minute spot in this year's fringe and I hope we see more of her. I also recognized so many of the names of local and distant storytellers who were \"listeners\" and helped with the development of this show. The storytelling network of friends is amazing. Thanks for stepping in after a cancelation.",
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"ReviewText": "Rachel Carson and \"Silent Spring\" are significant elements of what is America. Despite having read the book many years ago I did not know anything about the author. This show is well-written, entertaining and educational. We enjoyed it very much. I would have liked to have heard more about push-back she received from the chemical industry and government, but the show was good nonetheless. ",
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"ReviewText": "Rachel Carson is a name everyone should know but many do not. At a time when DDT was being hailed as a miracle chemical, she sounded the alarm about its dangers to the environment and in particular its deadly effects on wildlife and birds. But even if you've read her book _Silent Spring_, you probably don't know anything about the struggles of the woman who researched and wrote it. I certainly didn't. Katie Knutson brings Carson to life in this polished one-woman show. Although Carson was notoriously introverted and guarded her privacy, Knutson reveals the passion behind her reserved exterior. The simple set and costuming are period perfect. The show is in the Chautauqua format: first we watch Carson in conversation with an (unseen) visitor; then we have an opportunity to ask Carson questions (which Knutson fields brilliantly); and finally Knutson steps out of character to engage with the audience around her own experiences getting to know and embodying Carson. If you care about the environment, women's history, storytelling, and/or what does (and doesn't) make it into our collective American memory, you should see this show! ",
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"ReviewText": "I did like the concept of the show. I feel like it has good bones but needs better execution. I walked into the show very intrigued and wanted to like it due to the description, but it just wasn’t well done. Having so much voiceover really took me away from the show. I presume I understand why they made that choice - timing and volume with the pre-recorded soundtrack - but I felt like I was watching actors mime onstage because they didn’t know what else to be doing, and they looked uncomfortable just trying to fill space. I would have much rather watched them act. It also wasn’t clear if the voiceover was purely the main characters inner thoughts. Conceptually it seemed like that was the case, but in reality I feel like half of what was considered the thoughts could have been spoken dialogue, and some of what was spoken seemed like the character’s thoughts. Also not a fan of the portrayal of the girlfriend. I get that we are watching an unreliable narrator, but the details of how long she’d been around were messy. Throughout the entire show, the writing - not just the main character’s lens - played her up to being a bitch. *spoiler here* The fact that she demanded priority when the main character’s dad could be dying was treated as valid. Neither character’s actions were appropriate but I felt like that was never properly discussed. Then her flaws were resolved with a heartfelt song? Also what happened to the big time producer? Had some unforgivable plot points. I didn’t really follow any of the “comedy,” seemed like they were counting on the throw away one-liners like “hungwy” to pull all the laughs: and with an audience full of friends it did. But anyone that was not a friend wasn’t found scoffing. It needs more rewrites. The producer said it was their first time writing, directing, etc and it showed. I’d still say it’s a worthwhile addition to the fringe because of the creativity of the concept. I’m excited to see what the author brings to future fringes with more experience. ",
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"ReviewText": "This review is from seeing show #1. In one sentence: - a wonderful example of experimental theatre, this original story of a composer matches the show genre: through a bold medium it mostly works and a handful of times it doesn’t. In three sentences: through the exploration of live music scoring paired with sharp sound and lighting design, the audience sometimes feels involved and dissolved by the story being told. Some character relationships and climatic points needed some directorial guidance and the early 2000s inner monologue motif sometimes felt wearing. However the script and story body will continue improving and it's a show worth attending due to being something you've probably never seen before.",
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"ReviewText": "Full disclosure, I worked on graphic dseign for this show - but I had not seen any script or performance until opening night. Kyle's passion for history is bubbling out of him to great effect here, analyzing and recounting the life of a true oddball in MN history. If you love history, you'll find some wildly interesting moments here.",
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"ReviewTitle": "See it if you've never heard of Ignatius Donnelly",
"ReviewText": "I was definitely not the intended audience for this show, as I've been bemused, bewildered, and oft-times horrified by Ignatius Donnelly for 30 years - and at its core what this show is is an hour-long introductory lecture about Donnelly. My main issue is that it seems like it could have been so much more than that. I've admired Decker's other shows and if I wasn't already very familiar with Donnelly's career and crackpot writings, I probably would have been more engaged So if you know nothing about Ignatius Donnelly, go see this show. ",
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"ReviewTitle": "An Entertaining Look at a Minnesota Man",
"ReviewText": "I wish all history lessons were this entertaining. I learned about the racist nature of Atlantis, who was a Baconian, and the power of hubris. Will this play be coming soon to a History Center near you? I. L. Donnelly believed the myth of the American hero, and not in the power of the collective. ",
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"ReviewTitle": "thx, Prof Dekker",
"ReviewText": "i closed out my fringe with this show, and it was a strong finish. Ignacious was so into himself, that his wife advised him to shut the hell up to avoid looking stupid in public, and it worked…for a short bit. i had never heard of ignacious before this show, but now i’m really interested to learn more (without reading any of his 80 page poems). luckily, kyle did the painful reading for us, so i bet you could get him to share more. what didn’t make it into the show?!!",
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"ReviewTitle": "Don’t ever slam the door on forgiveness ",
"ReviewText": "“Man is born broken. He lives by mending. The grace of God is glue.”\r\nI thought of those lines by playwright Eugene O’Neill after seeing this show. Betsy’s family provided her with incredible opportunities, but she had to steer through a sloshy sea of an increasingly drunken father and mother.\r\nBlessed are those who don’t slam the door on forgiveness — and this humorous and vulnerable play shows that Betsy has chosen the wiser path.",
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"ReviewText": "This is (I hate to admit it) my first time seeing any iteration of A Midsummer Night's Dream and I think this may be my new preferred method of consuming Shakespeare. It was very efficient, which seems to be the point, or at least one of the points, and the cast really meant business. I loved how they sort of stashed their costume pieces in the trees. They worked together with the precision of a marching band and while the show itself was fast, I had no trouble at all following the plot, catching the dialogue, and enjoying the ride. Alison Anderson, who played many parts in this, gave me some great advice when consuming a different Shakespeare show which is: to not focus so much on what's being said or how it's being said, but rather to just let the words wash over you and pay attention to the acting and the story more than anything else, which has really increased my enjoyment of the Bard. It's a simple and sparse production, so the acting is what makes this one feel so special. It ran a teeny bit long, but it was the final slot of the night so that was no problem for me - just be careful if you're planning to travel to a remote venue afterward. And it bears repeating since I disclose it in all my reviews, although I've already made it obvious: I have a friend in this cast. ",
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"ReviewTitle": "This is how to keep Shakespeare alive and well!",
"ReviewText": "This review is from seeing show #2. In one sentence: for this goofy Shakespeare tale, Mooney's aid with a fairly prolific cast enriched the credibility of his name and life's work. In three sentences: from seeing one of Mooney's solo Breakneck shows to witnessing what seemed to be a debut of a cast alongside him, this was an impressive, punchy, fun version of summarizing Midsummer Night's Dream. Though the show's slight overtime was forgivable, one or two scenes felt like they could be cut due to a message/theme already being well-delivered by the featured cast members. However pay most attention to the cast's playfulness and Mooney's own element . . . you leave knowing you've witnessed the gift of classic works being told by a great batch of solid actors.",
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"ReviewText": "Tim has amazed audiences for years with his one-man shows condensing Shakespearean epics down to the 59:59, so it felt like I was witnessing something truly magical at his ensemble cast of Midsummer Night’s Dream when his repertory company blossomed into a cast of six—all talented actors, including Jeremy Motz of NPC! at the Fringe. Knowing that this cast relied on zoom conferences for rehearsals up until this past week makes the blocking and chemistry in this romp even more impressive. I am so excited to see Tim’s repertory company take this next step. I suspect even bigger things are on the horizon for him, and I’ll be there in the front row when that happens. If you love the Bard, you owe it to yourself to witness this clever and expertly-executed take on one of his best. Congratulations, Mooney and crew!\r\n",
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"ReviewText": "This is coming from a perspective of someone with 5+ years of Shakespeare experience, so do not take my word as an \"average\" audience member. First, I thought the amount of text that the actors had to juggle (as well as how just how many roles they were playing) was seriously impressive. It's difficult to memorize just one role in Shakespeare's canon, much less 2-3. Considering how fast it was advertised, I was expecting more of a Sparknotes/modernized text version, rather than a cut & sped-up version. So off-the bat, I really really appreciated it! Also thought some of the staging was very funny (having Hermia on her knees during the fight scene was great). I also thought the props that were included were really gorgeous - Bottom's donkey head was just awesome. Some things I struggled with were mostly the stakes of the performance & some scene transitions. The Christmas trees were clever, but some of the transitions between scenes were a bit slow (at least the time I saw it). I'd recommend this one if you're trying to get into Shakespeare, or just enjoy it! I did find the play to be understandable, which is probably the most important thing for the audience with classical text.",
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"ReviewTitle": "Abridged Shakespeare with all the good parts",
"ReviewText": "This shortened version of a classic I've watched before at full length and certainly read at least once was simply delightful! It left me and my companion wondering, What did they cut? The story rolls along, the poetry flows, the rough tradesmen's play-within-a-play leaves us laughing, and Puck's magic enchants. Every one of the half dozen actors moves among multiple roles so seamlessly that this itself seems magical, but of course it's a sign of remarkable direction, skillful acting, and thorough preparation. ",
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"ReviewText": "I saw this show on Friday night and very much enjoyed it, but did have a little trouble keeping track of a few of the players and plot points. Five actors played something like 18 parts (??). I followed enough to enjoy the show and have fun, but would have loved to debrief this show with a friend afterwards, but there was no time. ;-)",
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"ReviewTitle": "best cliff note Shakespeare !",
"ReviewText": "Mooney is a fringe veteran who always puts together entertaining work! I was glad to see this was not a solo show and he used talented local actors to fill out the cast. As always, Mooney was terrific, especially as Bottom. Funny and fast paced!\r\n",
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"ReviewTitle": "\"Breakneck Will is Another Dream\"",
"ReviewText": "Thank goodness for a new annual Tim Mooney production - and in one past Fringe, he did a terrific climate disaster show, which we invited him back to town to perform for a community audience that fall. More recently - both via Zoom and in person, he has brought Breakneck Shakespeare to town, usually with fun audience engagement. (Last year, we had a verse \"scavenger hunt\".)\r\n\r\nThe MND team, complete with printed shirts beforehand, was a smooth, fun group of skilled performers, something we've been unaccustomed to with Tim's frenetic one-man shows. Props to Tim, himself, as I thought his Bottom, complete with ass's head was a real highlight - maybe because of the terrific voice Tim chose to utilize (and he is a skilled voice man).\r\n\r\nCindy Sherdan warmed up the crowd in an engaging manner, played the butt of the show's first joke, then charmed throughout as Puck.\r\n\r\nAfter a little difficulty hearing Alison Anderson during the intro, I warmed up to her work throughout, especially in the role of Hermia.\r\n\r\nSchmoo Cutlip, who I hope we see in the Minnesota Fringe again and again, brought their wide range of performing experiences to totally charm this attendee, whether it was as the icy Hippolyta, the put-upon Helena, or the demeaned Snout. Their facial expressions and posturing made their three roles very unique throughout.\r\n\r\nPeter Buckholtz, whose Oberon did indeed look an awful lot like Lysander, provided an older hand's experience on stage, and much like Tim, made effective use of different voices (even Flute's) to convey differences in his roles.\r\n\r\nAnd J. Merrill Motz, who not only has these lines to do, but also his own Fringe solo show, provided a steadying presence, especially as Peter Quince, but also as he sat on the steps just to my right for his final 5-minute portion. I worried if he was feeling OK at first, before seeing how he had a unique place outside of the three couples (even though there are only 6 total performers!) brought together in the conclusion. After all, he needed to wrap things with Puck.\r\n\r\nFor others who attended - did you memorize your lines of dialogue? I'll admit, I cheated with a study aid. ;-)\r\n\r\nLooking forward to the next Breakneck, Tim... I hear that Titus Andronicus is a real hoot! ",
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"ReviewTitle": "Beguiling Melodrama",
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"ReviewTitle": "Incredibly visceral and gorgeous ",
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